Confessions of a catalog shopper

Tis the catalog season

I'd like to say it's the glossy pages or the stylish clothing or the unusual stuff, but the truth is, I don't know why I love catalogs. I just do.

This time of year, the great fall migration, most of them fly right into my mailbox and take up residence. I thumb through the slick pages, imagining what I'd do with a pair of leather boots that top my knees or a gift-wrapped tower of fruit or this year's version of a denim shirt. I imagine myself looking thin, blonde, and jetting across continents in my new versatile travel wardrobe. I wonder how many bathrobes a person truly needs, then I remember I own two.

I'm drawn to the dark jewel tones of fall - the midnight blues, the burnt umbers, the hidden lakes. I ponder the strategic placement of darts and ruffles, of beading and buttons. I wonder how to get my comfy body into the tailored-looking pieces I'm drawn to. I worry about clothing looking too young or too old. I worry if people can tell I buy separates on clearance and hope they will match something, sometime, somewhere.

Pages with fleece entice me to linger. Fleece is a special weakness of mine. Gotta have it. Socks, shirts, pants, gloves, jackets, robes, scarves, coats. I love to buy it for myself and as gifts. I can't tell you how excited I was to procure my infant grandson's first fleece jacket!

Back in the days of fulltime employment, I turned to catalogs for Christmas. With a list of sizes and color favs, I knocked out my extended family list in a couple of hours, and that was before the ease of internet shopping.

When I began writing, I cut out catalog people and saved them as characters in my books. That tough looking guy in a Rolex ad? Supreme bad guy. That funky gal in cowboy boots sitting in a giant martini glass? A lost fairy godmother.

Catalogs - they're the gifts that keep on giving.

Have a favorite catalog story? Please share!

Maggie Toussaint
Catalog shopper and sometimes writer

Cool Info Bites from Writer's Police Academy

ATF agent Rick McMahan and Maggie

by Maggie Toussaint

When it comes to learning about police lore, the Writer’s Police Academy is a font of useful information. Held at a Greensboro, NC police training academy and organized by Lee Lofland, this recent event was packed with hands-on knowledge writers need to know.

Hollywood cops have more technology than you can shake a stick at, and our everyday law enforcement groups would love to have a fraction of those gadgets. From TV, we expect DNA results in minutes or hours when the reality is more like months. For a rush DNA job, it takes about a week, though new procedures and tests are in development.



Barbara Graham and handcuffing instructor Stan Lawhorne



Sound intriguing? Read on for snips of other cool stuff:

Locard’s Principle – when two objects come into contact, an exchange of material occurs.

All people shed skin cells and hair every day, about 150 hairs a day.

CSIs turn the room lights out and use those itty bitty flashlights because it helps them see better. Footprints, hairs, and other bits of trace evidence really pop under these conditions.

If a bioterrorist comes to your neighborhood, don’t opt for the white dusk mask at the hardware store, get yourself a N95 respirator mask.

One key fits all handcuffs. Enterprising crooks hide keys on or in their bodies.



CJ Lyons takes down a suspect for handcuffing,
 with Cpl Dee Jackson



Bleach cleans up bloodstains, but its use is detectable. Blood can be detected even under multiple coats of paint.

Blood spatter is dependent on on velocity, directionality, and point of origin. Unless dripped straight down, the spot more resembles an infinity symbol, with some excursions.

A sniper can shoot a one-inch square at 100 yards. As they increase distance, say 200 yards from a target¸they can hit a two inch square and so on out to 1,000 yards.



At the crime scene, from left, Dr. Denene Lofland, Dr. Katherine Ramsland, and Maggie



In 97 % of homicides, the suspect is interviewed in the first 30 days. About 61% of homicides are cleared.

Witnesses lie.

Suspects give faulty confessions.

Ego is bad for investigations.

Moisture and higher temperatures accelerate decomposition. Don’t add garden lime to that shallow grave; it’s a plant nutrient.

Our gun laws derive from social and historical events. Only the US has a gun tracing system.



SEMWA's Stacie Allen, green shirt, takes super pictures



When undercover, a cop relies on personality, attitude, and persistence to get the job done.



At the Writer’s Police Academy, I experienced the FATS, the Firearms Training Simulator. They stuck a gun in my hand and showed me how to use it. Moments later, a scenario played out on the screen before me. I learned firsthand that it takes a special person to rush headlong into danger, that suspects don’t respect cops or guns. It’s easy for your brain to freeze, or for you to get tunnel vision and ignore the rest of your environment.



Guilford Co. Sheriff's Office Ltc Randy Shepherd



I’ve barely scratched the surface of my notes, but I hope I conveyed how valuable this experience was to me. At Writer’s Police Academy, writers get firsthand information, experience a micro-window into this law enforcement world, and receive answers to their policework questions.

I highly recommend it.

Maggie Toussaint

mystery and romance author

http://www.maggietoussaint.com/

 

PS don't forget - my award winning  HOUSE OF LIES is still on markdown at Kindle for 99 cents.

Favorite setting for my mysteries

by Maggie Toussaint

Since my Cleopatra Jones amateur sleuth series focuses on Cleo's family, I tend to write scenes at her home, her office, her ladies nine-hole golf league, her car, and her church. On the Nickel, the second mystery in the series, has several church scenes, but they don't have much to do with a church service. Most of the scenes involve activities that occur in a church building.

For instance, when Detective Radcliffe bars Cleo and her friend Jonette from the church parking lot crime scene, they race around to the back, to the thicket, where for years they watched the Sunday School ladies hide Easter eggs. While vying for the best vantage point, Cleo falls through the thorny bushes, landing smack dab in the middle of trouble - ending with her being led away in handcuffs.

Other church scenes involve a funeral reception, a church ladies meeting, and a bulletin-folding morning. In this book, Cleo tries to prove her mother didn't kill the church lady, her arch-rival, even though her mother's car is the murder weapon.

Cleo is Episcopalian, which is a Protestant church, just south of Catholicism and close kin to Methodists and Lutherans. Like the church, Cleo's life has seen upheaval in the last few years. Like the church, she is somewhat resistant to change, but life has a way of changing anyway, doesn't it? The conflict of new versus old, of time-honed prayers and joyful noise, of joy found and lost - those distinctly different yet eternally connected viewpoints are all rolled into a woman trying to cope in a world she can't control.

While I try to paint her into a corner with setting, character, and plot points, Cleo finds a way to cut through all the noise and triumph. She's my hero.

Want to read more? This post is a stop on a rolling blog tour. KT Wagner shares her thoughts on favorite settings at http://northernlightsgothic.com/a-setting-i-love-to-write  and Kathleen Kaska expounds on the topic at http://kathleenkaskawrites.blogspot.com/2011/09/favorite-place-to-set-scene-do-you-have.html while Ryder Islington talks setting at http://ryderislington.wordpress.com/2011/09/12/favorite-settings-in-my-writing/ and Nancy Lauzon adds her two cents at http://chickdickmysteries.com/2011/09/11/favorite-place-to-set-a-scene/.

Have a great week!

Maggie Toussaint
Mystery and romance author
http://www.maggietoussaint.com/

Flying on 9-11

It was sobering to get on a plane this morning. In both the Philadelphia airport and the Atlanta airport, televisions broadcast the anniversary remembrance of those who'd lost their lives during the terrorist attack of Sept. 11, 2001. Young children intoned names; children of victims told of ten years without their loved ones. Musicians played somber music.

As I glanced at my fellow passengers, it was easy to see they were as moved as I was. Tears welled and spilled and I made no move to stop them. That day took away the innocence of so many.

On the final leg of my journey, the pilot spoke to us, reassuring us that today's flight would be routine, but his voice broke a bit too as he said, "we'll never forget."

It's true. I remember the exact moment I heard at work. We gathered in the conference room, watching, and then we were sent home for safety. At home, the TV came on again as the events replayed over and over like a nightmare onscreen.

If you'd like to share a remembrance about this day or the 2001 date, please feel free.

God bless all our heroes.

Maggie Toussaint

What's your Labor of Love?



My labor of love: books!

 by Maggie Toussaint

Today, Sept. 5 is Labor Day, a holiday celebrating the end of summer in the U.S. First celebrated on Sept.5, 1882 by the Central Labor Union in NY, it became a national holiday in 1894. Early on, this day celebrated the strength of labor unions with a parade and speeches followed by family time.

Through the years, the tradition among most Americans has changed to a day of relaxation with family and friends. The summer of 2011 has been harsh with its earthquakes, hurricanes, and heat. Frankly, I'm glad to see it go.



Art is a labor of love



Since I'm mostly self-employed, I tend to work most holidays, including today, but the topic of Labor Day caught my fancy. I stated thinking about the word "labor" and the various associations I have with it: working to pay the bills, of course; working at various chores which are a real effort; pregnancy labor; and working at something I love.

Because when you work at something you love, the hours fly by. I imagine the sense of timelessness that overcomes writers like me when we are "in the zone" is shared by other artisans and laborers. I'd love to know about your "Labor of Love."



Proceeds benefit children



Here's an example to get you started. My friend Adelle Laudan compiled a charity cookbook: Sweet Sunshine: baking sweet memories. The cookbook is meant to be shared with children as it's chock full of yummy recipes, cooking stories which feature children, and adorable childhood pictures of authors with their recollections of cooking as children. (Quick plug: available at http://tinyurl.com/3slukrz ) The cookbook benefits the Sunshine Foundation for kids in Canada.

Please post a comment about what you love to do, about your labor of love. One lucky commentor will receive a digital copy of my Bed and Breakfast Romance - Seeing Red - which was a true labor of love - twice! Be sure and leave your addy if you want to be included in the drawing! I'll post a winner by 9 pm eastern time tonight.

Maggie Toussaint

My Impressions of Killer Nashville



Dr. Bill Bass, forensic expert

Once again Clay Stafford, Beth "Jaden" Terrell, and an army of volunteers have put on a super mystery conference. Killer Nashville has tracts for writers just learning their craft, writers who need a nudge to promote their work, fans, agent & editor appointments, and an all-star lineup of forensics experts. With Robert Dugoni, Donald Bain, and Dr. Bill Bass on the program, it was a can't-lose proposition for attendees - and it delivered!

I mix-and-matched tracts, attending a bit of everything. The experts were knowledgable, the panels interesting, and the crime scene was quite a challenge. And at every turn, there were friendly faces, writers, fans, published authors, agents, editors.

I was lucky enough to be on two panels which were well-attended. I connected with old friends and made new ones. What a delight it was to put faces to so many Guppy (a Sisters In Crime chapter) names I've been seeing on various loops!



Pacing panel: Michael Salisbury (mod), AJ Scudiere, Maggie, Lynda Fitzgerald

 This was the first year I attended the banquet and I had a very good time. Deni Dietz, my editor extraordinaire, sat at my dinner table. I also met Alana White, a newly signed Five Star writer with a book coming out Dec. 2012.

And I should back up to the Mystery Trivia contest on Thursday night. Greg and Mary Bruss did an outstanding job on making the game fun and testing our knowledge. Of the three teams, I was on the red team, same as last year. And even though my contributions were slight, our team displayed excellence on the trivia field and won the night. I'm officially two for two at Mystery Trivia.



Cozy panel: Luisa Buehler, CS Challinor, Jennie Bentley (mod), Lisa Wysocky, Maggie

 My take-home message? Do more social media connecting. Consistent networking is my new goal.

Now I'm back home, trying to keep my feet walking on sunshine for a little longer, but starting to wade through the piled up mail, dirty laundry, and other necessaries of living. But I'm already looking forward to next year!

Maggie Toussaint

Pacing - the red haired stepchild



Maggie talks about pacing



Everyone knows a song has lyrics, a melody, and a beat. Books have characters, plots, and pacing, which is the beat, or rhythm of your story. In the early days of my writing journey, I thought I knew a lot about pacing, but I had no appreciation for this fine point. Pacing is the art of how you string the words together that makes the story speed up or slow down.

To harken back to the music world, a music CD has an upbeat song track, then a song with a slower tempo. Or if you're more familiar with the world of dance, a fast dance and then a slow dance. That choreography is repeated throughout the album/CD.


Ancient City Writers working on pacing





This past Saturday, I spoke at the Ancient City Writers chapter of the Florida Writers Association in St. Augustine. I used examples of good pacing from top authors, broke their technique down into usable information nuggets, and also gave instruction on how to fix the pacing in your own story.

More writers working on pacing

After that, we had fun! I like the hands-on aspect of instruction, so here's what we did. Two names were solicitied from the about 35 attendees - Amy and Max. I asked for random professions and this is what came forward: nurse, phone technician, artist, and burglar. For character traits, the group came up with this list: aggressive, shy, twitchy eye, pushing glasses up the nose, and stutterer. The setting was a PTA Open House. The room broke into small groups and worked cooperatively for about ten minutes.

Lunch at Kingfish Grill with Dianne Ell,
Judy Weber, and Nancy Quatrano;
Jack's reflection is in the glass 

We had fabulous results. Lots of blended narrative and dialogue. Fast pacing. Slow pacing. Pacing that bridged between a fast opening and a slower finish. There are lots of talented writers in St. Augustine! When my workshop was over, I chatted with several very fired-up writers. People really seemed to have a renewed respect for pacing.

Afterwards we lunched at Kingfish Grill right on the water. What a lovely spot. I loved my Mediterranean Salad with grilled shrimp. From there, I visited Vilano Beach which was right across the bridge. What a fitting finale to a great day.

Vilano Beach in July

Thanks  to group member Jack Owen who generously shared his pictures with me!

A sunny day at the beach