And the agony of it all.
Being lost.
Not knowing anyone.
Causing an accident upon your arrival.
And everything you try makes the situation worse.
I did.
But I was also hooked for life on the idea of reading - and telling - a great story.
Fast forward ... some years ... and I'm telling stories - in book format. In my mind, the difference between a good technician and a darn fine storyteller have become blurred.
Writers yearn to have the power to sweep readers away to a new Oz so engrossing that time literally stops for readers. Writers seek that misty zone where Frank Baum, writer of The Wizard of Oz lives, where readers will suspend disbelief, where they are so needing to know what happens next that they will keep turning pages.
I used to believe the difference was in how one wrote, whether it was a more organized, outlined approach or a free-flowing organic approach. But now, after reading good and not-as-good stories in both lanes, I earnestly believe it's simpler than that.
For me, the difference harkens back to the actual weaving of words. Sure, writers need to have an understanding of writing craft and a storyteller's ear for timing and drama, but the word patterns themselves are what entice readers away from reality into a land of a writer's imagining.
So how does one acquire this story perfection? Are writers born with it? Can it be taught?
My answer is ... wait for it ...
Buddy Ebsen played the Tin Man in the movie |
What's your take on this topic?
And for fun, which Wizard of Oz character do you identify the most with? Are you a Tin Man, a Cowardly Lion, a spunky Dorothy, Toto the wandering pooch, Glinda the Good Witch, or another character?
Maggie Toussaint
mystery and romance author
www.maggietoussaint.com
ps images about The Wizard of Oz are from Wikipedia